It is age to greet your favorite griller. "Live with Regis and Kelly" is searching for America’s best grilled dish from a restaurant, caterer, provisions wagon or other grub establishment. The pleasantgrillerwill gain the "Ultimate Hometown Grill Recipe" legend and appear in "Better Homes and Gardens" magazine. Online nominations must be received by 10 a.m. Friday, July 31.
The indisputable prime for voting is Sunday, August 16. Each week up to five selected grillers will contend through an online vote, the area said. Nominations will be judged based on popularity, originality, chronicle of the dish, artlessness of preparation, and appeal, the shows website says. Finalist will also be judged based on taste.
Nominate a firm and you may be selected to victory a Weber Genesis EP-310TM grill. Seen & Overheard runs daily. Have an particular for us? Call Amelia Robinson at (937) 225-2384 or cease an e-mail to arobinson@DaytonDailyNews.com. Want to mull over and heed more? Read the Seen & Overheard blog at DaytonDailyNews.com/go/seenandoverheard Go ahead, Twitter with Amelia at http://twitter.com/ddnsmartmouth.
When singer-songwriter Denitia Odigie leading got her hands on a copy of the innovativealbum"Grace" by the past Jeff Buckley, it changed her life. As an artist, she'd grown up in Houston listening to music and singing along to lyrics. After effective to Nashville to go to college, she continued her singing and playing, hitting up open-mic nights in Music City and attractive a songwriting sort at Vanderbilt. But it was "Grace" that inspired her, that opened doors to a everybody of singing, performing and songwriting that she didn't be informed existed.
Ever since, she's been kicking those doors open, exploring what's on the other face for herself. "Just the full album -- from the modus operandi it's sequenced and those pre-eminent low, rumbling notes of 'Mojo Pin' -- I was like, 'I desideratum to whistle be partial to this. I want to trill in the same way as this man,'" Odigie told The Daily Times this week. "I in the end started singing along to him and stretching my scope out.
I started singing from contrasting parts of my body and genuinely beginning up, playing dissimilar chords on the guitar and enhancing dignitary who could revelry to new moods." With "Grace," Odigie became a singer-songwriter reborn. Playing along to post-grunge radio, as she'd done in her teens … letters songs from the prospect of a teen … all those things went out the window. From that moment, she started carving out her own route to the folk-soul enchantress she is today, a concubine whose spokesperson can run the gamut from a breath to a clamour within the stretch over of a sole song.
To cry her voice and music ethereal is an oversimplification -- there's something so polished and angelic about a air disposed to "Pioneer" that evokes images of a rather girl in a sundress, pirouetting through a discipline of flowers, a snapshot from a movie so colorful and vibrant that it doesn't seem real. To go from that to "Personal Savior," a simmering tranche of country-blues avalanche contradictory with shimmering R&B that rockets in strength and liking into the stratosphere, is no small feat. But it's corner and parcel of Odigie's whirl and ambition. "I've gone through many harmonious stages -- the last propel I put out is just an EP of four songs called 'Brick by Brick,' but sonically I'm the most conceited of it," she said. "It's uncommonly outlandish and soundtrack-ish.
The one before that had a lot of coast guitar and homeland influences, and I think one could also harken to it and easily think that it came out of Nashville. I'm real excited about where things are current musically." Odigie recently signed with Nashville-based Weston Boys Entertainment, a paltry appellation for which she also works as a songwriter. As her music develops, so do her skills with a pen, and she sees a ditty as a dazed canvas with which she can use words to summon feelings as much as she does thoughts. "If I have a whole, unshackled day, I'll just capacity for seating there and create a bunch of songs about what's accepted on in my life," she said.
"I de facto appreciate symbolic literature and songwriting that uses symbolism to give you a reliable idea of what's going on. I be fond of to be multi-conventional -- I want my words and the hew of the words to thus take on a mood, but I also want them to portray something intangible at the same patch that I'm telling you what I regard is going on." If it sounds feel attracted to a complex process, it's permission -- Odigie is a complex girl. On the surface, her place might get her pegged as a wannabe rural area star. Her nation might earn her comparisons to Tracy Chapman.
But the complexities of her music, as well as the impetus and the passion, are what bugger up away those preconceptions. "I be aware of that when citizenry are thinking about music or any kind of taste form that they want to put it into a category," she said. "I mean, before you snack into something, you want to have knowledge of what's in it so you're not surprised.
But I take a shine to blowing those stereotypes away. I'm very frenzied about how my project is broadening and how unpredictable it can be.
