The spooks and specters aren't all that noise the Campbell family. Sara's contractor husband, Peter (Martin Donovan), is a recovering alcoholic, and he's flourishing destitute paying for Matt's medication. But these details annex only to the cruelty of the story, not mystery. That's another mournful symptomatic of this congenial of "faction.
" Under the poncho of "truth," the storytellers seem to be they can go as far as they want with cognitive sadism and with actual torture, too. The photograph comes up with an unexpected coil or two in the final battle between boys and girls and ghouls, and there's a meet moment of invention when the lights coming on are scarier than lights turning off. But you have to be pleased to withstand a lot of discipline for a few good scares.
No comments:
Post a Comment