In Kanye West’s further video "Power," directed by artist Marco Brambilla, the rapper aims to constitute an artwork come to life. "It’s not a video . It’s a thrilling Painting!!!" Kanye tweeted about an hour ago. The smack begins with an up-close spot of Kanye and pans out to let on a neoclassical living picturization of the rapper surrounded by dark figures from various real eras, including horned women, winged women and dudes with swords.
The swindle has the handle of a slow-motion Roman orgy, with West being the Caesar at the center, rows of ionic columns stretching out behind him. And then, 90 seconds into the song, that’s it. Painting gone.
You have to fancy there will be an extended translation to look at soon. Brambilla is an Italian-born Canadian artist who received to the utmost acclaim for his 2009 video instatement "Civilization." (He also incongruously directed the 1993 spirit moving picture "Demolition Man" starring Sylvester Stallone and Wesley Snipes. I speculate an artist has to eat.) A outstanding retrospective of Brambilla’s bring into play is scheduled for unveil at the Santa Monica Museum of Art in 2011.
The "Power" video could be a observation on the treacherous variety of fame–people are partying all around Kanye, but in the end, the dudes with swords turn to a wigwagging at him. Et tu, dudus? Then again, Brambilla could be working out some issues relating to the pans he got for "Demolition Man." Your call. West has worked with other top-tier visual artists in the past, including Japanese artist Takashi Murakami, who designed the artwork for his album "Graduation." The revitalized video reportedly drew on Michelangelo’s frescos for inspiration.
But doubtlessly if the painter of the Sistine Chapel had done this music video, it would have been much longer. You can ruminate the "Power" bilk here. What did you imagine of Kanye West’s strange video? Leave your thoughts in the comments. What do you assume it meant exactly?
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