The Good Wife managed to commingle a fratricide mystery, a pornographic viral video, a navy court bur better than any ever presented on JAG, and enfold Lou Dobbs into the mix… and did it before the vernissage credits. Jonathan Franzen could acquire knowledge something about unwasteful yet prolific storytelling from the Good Wife longhand staff. The agitatin’ immigration critic Dobbs played himself in Tuesday night’s episode, an long-lived customer of further conglomerate partner Derrick Bond’s. The goal was that his politics clashed with those of Christine Baranski’s Diane Lockhart and her client, Democratic strategist Joe Trippi - Dobbs and Trippi nearly bumped into each other in the hall, and attractive soon, the stiff had to resolve which shopper was more valuable. The Good Wife by crook managed to compel this no-brainer (Dobbs versus the make fun of who’s currently advising Jerry Brown in California??) a trim check of assignment loyalty, and reassured me that the putting together of Michael Ealy’s Bond is a use idea, as long as Bond continues his swelled-headed ways.
The sundown was a fine one for another supporting player, Alan Cumming. His Eli Gold had some few and far between discombobulated moments, distressing to tamp down renewed decayed publicity involving Chris Noth’s Peter Florrick. This snarled a describe of sex-scandal version of those "Obama girl" videos, and conjunctio in view of the normally uncordial Eli pulling his ringlets in frantic frustration was fun.
The week’s judicial case put Alicia and Will in the novel setting of a martial court, and they found the different rules of the Judge Advocate General Corps twisted - which is just what Matt Czuchry’s Cary wanted. The show found a street to conduct us an Alicia vs. Cary courtroom altercation as the orgasm of the hour in a pleasurable twist.
Believing he’s been spurned by Alicia (a dour apartment phone misunderstanding from last week), Will is now bias on bedding women with the alacrity of Don Draper. Or at least it seemed that manner as he succumbed so quickly, almost despairingly, to a wiggly interviewer profiling him for the Chicago Law Review. Ultimately, however, The Good Wife brought us around to our idolized Kalinda.
Early on in the episode, her chair as Alicia’s trusty investigator was captivated by Scott Porter’s Blake, but by the end of the hour, she was doing some spadework for Diane, who wanted any inside information that could be dug up on Bond - and if it elaborate Derrick and Will, so much the better. Kalinda got to utter the night’s cliffhanger line: "So you don’t want to be acquainted with what I found out?" Oh, we do, we do, don’t we?
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