Rick "Wild Thing" Vaughn was a nearsighted, ex-con aid pitcher whose authority over on the hill was so crabby that no one wanted to hit against him. Sheen's fruit cake was so strange and unpredictable that not even other misfits and also-rans and voodoo worshipers in the clubhouse would get near him. But wow, was he joy to watch. One heyday in practice, Wild Thing's manager, Lou Brown, played by the up to date James Gannon, watched him flighty up the radar gun at 96 mph while never throwing a strike.
"Better acquaint with this kid some device before he kills somebody," the grizzled straw boss told a concomitant coach. It turned out that Wild Thing only needed a marry of black-rimmed glasses to recoup his control. If only it were that happy-ending easy. It's ridiculously foxy to declare that what we have been witnessing in Sheen — the egomaniacal lashing out, the unconvincing reassurances that he's just close while binge piles upon binge, the enablers that push into his addictions, and the media that dough in on his meltdown — is openly dazzle imitating art.
Sheen has, after all, played an addicted playboy in his hit series, "Two and a Half Men." But in a real-life adventure that says as much about us as it does about him, Sheen's representation has transfixed computer clickers across the country. For the previous few weeks, Sheen's discursive behavior has routinely pushed the unquestionably and destructively odd Moammar Gadhafi off the peak of the most trendy stories on newscast snare sites. In Gadhafi's case, of course, really populace are fighting and slipping away in Libya'scivil war.
In Sheen's damaging fantasies, he is on the same level. "We're positively at war," he said of CBS, which has canceled "Two and a Half Men," for the entr'acte of the season. "… Defeat is not an option. They picked a cross swords with a warlock.
" In that moment, he had become Chris Taylor, the sophomoric infantryman he played in "Platoon," Oliver Stone's 1986 Academy Award-winning film about Vietnam. As his governor did in "Apocalypse Now," Sheen's sort narrates the surreal depravity of war. "Somebody once wrote: 'Hell is the impossibility of reason,'" Charlie Sheen says in "Platoon." "That's what this position feels like. Hell.
" Then, and now, you want to slot an arm around his shoulders and get him the inferno out of there.
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